简介:
伊斯拉电子ASYX v1.28 WiN VST3-W.R.E.N
团队W.R.E.N | WiN VST3 | 25.51 MB
仙女座A6，作为插件重新创建。
原乐器的架构与音色，已在软件中得以重现。
内部ASYX
一个详细的信号路径，用控件来探索它。简单地开始，然后去深的声音需要。
01/振荡器
ASYX对A6定制振荡器asic的行为进行建模，其模拟设计借鉴了Moog 921B。每个语音两个振荡器提供同步波形、脉宽控制、子振荡器、硬和软同步以及频率调制。噪声和环形调制馈入预滤波器混频器。
02/双过滤器
ASYX对A6的滤波器asic进行建模: Oberheim SEM衍生的12 dB/倍频程多模滤波器和Moog 904a衍生的24 dB/倍频程低通滤波器。低通，高通，带通和陷波响应，具有串联或并联路由以及单独的前置和后置滤波器混合。
03 / LFO
三个lfo，具有六个波形和单独的速率、幅度、偏移、起始相位、占空比和极性控制。延迟、触发和时钟同步设置可用于每个LFO。
04/多阶段包络
三个七阶段信封: 延迟，攻击，两个衰变，维持和两个释放。每个攻击，衰减和释放阶段的九个可选曲线，具有可调的中间水平。其他控件包括循环，触发和触发源，速度响应，按键跟踪和平滑。
05/深度调制
具有独立的源、目的地、数量、偏移和启用控制的调制路由。来源包括包络，lfo，采样和保持，跟踪生成器，MIDI和性能控制器; 目的地包括包络阶段时间以及振荡器，滤波器和效果参数。
06/音序器/谐音器
具有每步音符，速度，门和休息控件的16步音序器，以及带有自己的网格和设置控件的arpeggiator。音序和琶音器设置会随每个程序一同保存。
07/效果
29数字效果算法，包括合唱，延迟，混响和组合配置。算法参数和效果设置与每个程序一起存储。
08/模拟字符
振荡器调谐、跟踪和脉冲宽度、滤波器截止和共振、包络定时、语音电平、共享漂移和振荡器漂移的独立变化深度。主模拟控制缩放组合的变化。
09/混合模式
每个插件实例最多16个部分，用于多音色操作，键盘拆分和分层堆栈。每个部分都有自己的程序，MIDI通道，键范围，电平和输出路线。
全面的补丁程序管理
超过1,200个包含原始工厂声音和艺术家银行的程序。按名称，作者或银行搜索，按类别过滤，并保持收藏夹近在咫尺。
你的声音。
在两种乐器上。
通过双向连接MIDI，A6的旋钮和按钮可以控制ASYX。启用实时参数发送以另一种方式工作: 在ASYX中所做的更改将发送到硬件。这适用于兼容的程序参数，因此您可以从任一界面进行编辑。
将原始的A6 SysEx程序和银行导入库，或将当前程序 (包括未保存的编辑) 发送回选定的硬件插槽。你也可以转银行。补丁和银行转帐与实时编辑分开，并在覆盖硬件程序之前要求确认。
在ASYX中保留大型银行，并在需要硬件传输时以A6的128程序格式准备银行。仅ASYX功能 (如复音aftertouch) 仍然是软件功能。
史诗般的灵感
Alesis Andromeda A6在一台仪器中结合了16种模拟声音，双滤波器和广泛的调制。如今，工作的例子变得越来越难找到，二手价格的上涨使所有权超出了许多音乐家的承受能力。
维护它们也变得越来越困难。仙女座依靠定制振荡器和滤波器芯片-asic (专用集成电路)-许多单位现在已经停止服务，因为更换部件无法采购。
开发ASYX是为了使该仪器可在软件中访问。直接使用原始的A6，我们已经测量，比较和改进了它的行为，同时保留了与原始补丁的兼容性。对于现有的所有者，它提供了另一种方式来使用他们的声音。对于其他人来说，它提供了访问，而无需老化硬件的成本和维护。
简介:
Isla Electronics ASYX v1.28 WiN VST3-W.R.E.N
Team W.R.E.N | WiN VST3 | 25.51 MB
The Andromeda A6, recreated as a plugin.
The architecture and sounds of the original instrument, recreated in software.
Inside ASYX
A detailed signal path, with the controls to explore it. Start simply, then go as deep as the sound requires.
01 / Oscillators
ASYX models the behaviour of the A6’s custom oscillator ASICs, whose analogue design drew on the Moog 921B. Two oscillators per voice provide simultaneous waveforms, pulse-width control, sub-oscillators, hard and soft sync, and frequency modulation. Noise and ring modulation feed the pre-filter mixer.
02 / Dual filters
ASYX models the A6’s filter ASICs: an Oberheim SEM-derived 12 dB/octave multimode filter and a Moog 904A-derived 24 dB/octave low-pass filter. Low-pass, high-pass, band-pass and notch responses, with series or parallel routing and separate pre- and post-filter mixing.
03 / LFO
Three LFOs with six waveforms and individual rate, amplitude, offset, start phase, duty cycle and polarity controls. Delay, trigger and clock-sync settings are available for each LFO.
04 / Multi-stage Envelopes
Three seven-stage envelopes: delay, attack, two decays, sustain and two releases. Nine selectable curves for each attack, decay and release stage, with adjustable intermediate levels. Additional controls cover looping, trigger and retrigger sources, velocity response, key tracking and smoothing.
05 / Deep Modulation
Modulation routing with independent source, destination, amount, offset and enable controls. Sources include envelopes, LFOs, sample & hold, the tracking generator, MIDI and performance controllers; destinations include envelope stage times as well as oscillator, filter and effects parameters.
06 / Sequencer / Arpeggiator
A 16-step sequencer with per-step note, velocity, gate and rest controls, alongside an arpeggiator with its own grid and setup controls. Sequence and arpeggiator settings are stored with each program.
07 / Effects
29 digital effect algorithms, including chorus, delay, reverb and combined configurations. Algorithm parameters and effects settings are stored with each program.
08 / Analogue character
Independent variation depths for oscillator tuning, tracking and pulse width, filter cutoff and resonance, envelope timing, voice levels, shared drift and oscillator drift. The master Analogue control scales the combined variation.
09 / Mix mode
Up to 16 parts per plugin instance for multi-timbral operation, keyboard splits and layered stacks. Each part has its own program, MIDI channel, key range, level and output route.
Comprehensive Patch Management
More than 1,200 included programs, with original factory sounds and artist banks. Search by name, author or bank, filter by category, and keep favourites close at hand.
Your sounds.
Across both instruments.
With MIDI connected in both directions, the A6’s knobs and buttons can control ASYX. Enable live parameter sending to work the other way: changes made in ASYX are sent to the hardware. This works with compatible program parameters, so you can edit from either interface.
Import original A6 SysEx programs and banks into the library, or send the current program—including unsaved edits—back to a chosen hardware slot. You can also transfer a bank. Patch and bank transfers are separate from live editing and ask for confirmation before overwriting hardware programs.
Keep large banks in ASYX, and prepare a bank in the A6’s 128-program format when you need a hardware transfer. ASYX-only features such as polyphonic aftertouch remain software features.
Epic Inspiration
The Alesis Andromeda A6 combined sixteen analogue voices, dual filters and extensive modulation in one instrument. Today, working examples are becoming harder to find, and rising second-hand prices put ownership beyond the reach of many musicians.
Maintaining them is also becoming increasingly difficult. The Andromeda relies on custom oscillator and filter chips—ASICs (Application Specific Integrated Circuits)—and many units are now out of service because replacement parts cannot be sourced.
ASYX was developed to make this instrument accessible in software. Working directly with an original A6, we’ve measured, compared and refined its behaviour, while retaining compatibility with original patches. For existing owners, it offers another way to use their sounds. For everyone else, it provides access without the cost and maintenance of ageing hardware.
评论0