简介:
M Media Audio Room Service v1.0.0 VST3 AU WiN MAC LiNUX [免费]
免费 | WiN MAC LiNUX | 23.5 MB
板混响插件。
客房服务是一种免费的板块混响，从地面向上围绕悬浮钢的行为而构建: 快速，密集的扩散，在低点之前到达的高点，以及随着褪色而改变性格的尾巴。添加管和固态角色阶段，三十个工厂预设，以及足够的范围，从一点点人声抛光到光荣过度。
首先是高点。钢铁有其自身的节奏。
一只盘子有着让声音栩栩如生的独特方式。最初的积累是快速和密集的，而较高的频率穿过钢的速度比较低的频率更快。这种分散性正是赋予瓷盘独特质感的原因之一。
客房服务将这种行为带入其扩散器中，将近乎即时的默认预延迟与频率相关的扩展配对。高频在低频之前率先绽放，从一开始就为混响赋予了律动感与空间感。
“Spread”旋钮同时控制声像的扩散程度和立体声宽度。将其拉回，以获得接近单色的聚焦图像。将其打开，各通道便分流成一条宽阔而舒展的尾部。
歌手周围留一点空间。或者有足够的空间容纳歌手的随行人员：
预延迟
-0-100毫秒，默认几乎即时
传播
-高-第一色散和立体声宽度在一个控制
衰变
-0.5至8秒，从紧凑的回响到悠长的奢华
无可挑剔的礼仪。直到你调高输入。
在正常设置下，这两个角色参数的效果都较为微妙。按下“Input”旋钮，它们的个性就会变得不那么内敛了。
Tube采用非对称的驱动曲线，以产生二次谐波带来的温暖音色。固态电路采用对称曲线，直到你加大输入力度时才会变得更具动态。选择角色，然后决定把多少个性放在托盘上。
混响尾音有着独特的个性。反馈阻尼响应坦克的能量，因为它的衰减，允许较亮的模式先褪色和剩余的声音向低中音。质地在腐朽过程中不断演变。
使用“音调”来调整尾部保留的亮度程度：
性格
-用于非对称温暖的管，用于对称驱动的固态
输入
-−12至+12 dB，直接馈入Character（特性）模块
语气
-控制尾迹的亮度持续时间
一点氛围。或者总统套房。
三十个工厂预设涵盖了您实际需要完成的工作: 人声深度，鼓空间，短拍子，紧凑的氛围，温暖的窄尾巴以及明亮而广阔的衰变。
发送预设将Mix放在100% 附近以返回aux。插入预设会将混响与您的音频源混合。从预设的调校设置入手，然后根据自己的喜好进行调整。
80hz的剪切通过四个阶梯式低架设置 (0、 − 4、 − 10或 − 16 dB) 将多余的低音排除在混响之外。选择多少重量留在尾部，并在输入和输出之间切换VU米，以保持对水平的关注。
您的房间已准备好：
30个工厂预设
-发送、插入、鼓、人声、室内乐等
80hz切割
-阶梯式低搁板，0/− 4 / − 10 / − 16 dB
VU来源
-输入或输出计量
简介:
M Media Audio Room Service v1.0.0 VST3 AU WiN MAC LiNUX [FREE]
FREE | WiN MAC LiNUX | 23.5 MB
Plate reverb plugin.
Room Service is a free plate reverb built from the ground up around the behavior of suspended steel: fast, dense diffusion, highs that arrive ahead of the lows, and a tail that changes character as it fades. Add Tube and Solid State character stages, thirty factory presets, and enough range to go from a little vocal polish to gloriously excessive.
Highs First. Steel Has Its Own Schedule.
A plate has a particular way of bringing sound to life. The initial buildup is fast and dense, while higher frequencies travel through the steel faster than lower ones. That dispersion is part of what gives a plate its unmistakable texture.
Room Service brings that behavior into its diffuser, pairing near-instant default predelay with frequency-dependent spread. Highs bloom ahead of the low end, giving the reverb movement and dimension from the start.
The Spread knob controls both that dispersion and stereo width. Pull it back for a focused image approaching mono. Open it up and the channels diverge into a broad, enveloping tail.
A little space around the singer. Or enough space for the singer’s entourage:
Predelay
– 0-100ms, with a near-instant default
Spread
– Highs-first dispersion and stereo width in one control
Decay
– 0.5 to 8 seconds, from tight reflections to lingering luxury
Impeccable Manners. Until You Turn Up the Input.
At normal levels, both Character settings keep their contributions subtle. Push the Input knob and their personalities become considerably less discreet.
Tube uses an asymmetric drive curve for second-harmonic warmth. Solid State uses a symmetric curve, staying restrained until you drive it harder. Choose the character, then decide how much attitude belongs on the tray.
The reverb tail has a personality of its own. Feedback damping responds to the tank’s energy as it decays, allowing the brighter modes to fade first and the remaining sound to settle toward the low-mids. The texture evolves throughout the decay.
Use Tone to shape how much brightness stays in the tail:
Character
– Tube for asymmetric warmth, Solid State for symmetric drive
Input
– −12 to +12 dB, feeding the Character stage directly
Tone
– Controls how brightly the tail lingers
A Little Ambience. Or the Presidential Suite.
Thirty factory presets cover the jobs you actually reach for a plate to do: vocal depth, drum space, short slaps, tight ambience, warm narrow tails, and bright, expansive decays.
Send presets put Mix near 100% for an aux return. Insert presets blend the reverb beneath your source. Start with a tuned setting, then make it yours.
The 80Hz Cut keeps excess bass out of the reverb with four stepped low-shelf settings: 0, −4, −10, or −16 dB. Choose how much weight stays in the tail, and switch the VU meters between input and output to keep an eye on levels.
Your room is ready:
30 factory presets
– Send, insert, drum, vocal, chamber and more
80Hz Cut
– Stepped low shelf, 0 / −4 / −10 / −16 dB
VU source
– Input or output metering
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