简介:
PAA音频复古延迟v1.0.3补丁包括。注册机-摩卡
摩卡 | VST3 | 8.1 MB
基于BBD建模的模拟回声，采样自真实硬件。
大多数vintage-delay插件都是从功能清单开始的。这个是从一把螺丝刀开始的。我们测量了实际的bucket-brigade (BBD) 硬件延迟，与80年代初定义模拟回波的芯片系列和电路拓扑相同: 压扩输入，BBD时钟绑定带宽，软限幅反馈路径，自振荡通过饱和。狄拉克脉冲，对数扫描，持续正弦，十几个反馈水平的饱和曲线。
该插件是基于这些测量数据构建的，而非基于市场推广方案。决定300毫秒重复声音的黑暗程度的系数 (最小重复速率为820Hz截止，最大1037Hz) 直接来自扫描反卷积。自激振荡时的11.5% THD来自实际振荡回路的1 khz频谱。直到听起来“很有复古感”为止，这些都没有经过耳听调试。
在忠实的模型之上，我们添加了一些原始模型永远无法做到的事情，主要是三频段频率倾斜，在不同时间延迟低音和高音。据我们所知，没有其他延迟插件做到这一点。向右转动旋钮，你的高点浮在后面，低音很快回来。将其向左滚动，低音尾巴是混合中最长的东西，而高点则紧而短。
是什么让它与众不同
* 频率倾斜时间每波段: 独特的，没有别的喜欢它。
* 不对称饱和度与硬件的测量偶/奇谐波比相匹配。
* 多LFO漂移而不是一个单一的正弦: 绞盘 + 滑轮 + 轴承摩擦噪声。
* Compander泵浦内置的延迟线，而不是伪造的一个单独的VCA。
* 每个频段的交叉反馈乒乓球: 当倾斜活动时，三个节奏同时运行。
* 侧链回避与内部回退，所以它的工作原理，即使没有一个侧链总线路由。
它发光的地方
* 人声: 侧链鸭子使回声不受辅音的影响。向右倾斜，仅留下辅音的“空气”轨迹。
* 鼓巴士: 向左倾斜以保持踢回声，让踩hat拍打快速回来。多频段处理可保持低频的纯净。
* 合成器和垫: 三频带乒乓提供了一个内置的立体声宽度，没有单带延迟可以产生。
* 环境和纹理: 冻结一个时刻，层在上面，清除时，下一节进来。
标准控制: 时间，反馈，混合，漂移，漂移率，音调 (2.5 kHz时为 ± 12 dB高架)，鸭量，频率倾斜，杀死-干燥，冻结，清除和点击。每个通道与链接同步，A/B快照与副本，六个工厂预设和无限的用户预设通过。XML保存/加载。
简介:
PAA Audio Vintage Delay v1.0.3 Patched Incl. Keygen-MOCHA
MOCHA | VST3 | 8.1 MB
BBD-modeled analog echo, sampled from real hardware.
Most vintage-delay plugins start from a wishlist of features. This one started with a screwdriver. We measured a real bucket-brigade (BBD) hardware delay, the same chip family and circuit topology that defined analog echo from the early 80s onward: companded input, BBD clock-tied bandwidth, soft-clipped feedback path, self-oscillation through saturation. Dirac impulses, log sweeps, sustained sines, saturation curves at a dozen feedback levels.
The plugin is built from those measurements, not from a marketing brief. The coefficient that decides how dark a 300 ms repeat sounds (820 Hz cutoff at minimum repeat rate, 1037 Hz at maximum) came straight from the sweep deconvolution. The 11.5 % THD at self-oscillation came from a 1 kHz spectrum of the actual oscillating loop. None of it was tuned by ear until it “sounded vintage”.
On top of the faithful model we added a few things the original could never do, chiefly a three-band frequency tilt that delays bass and treble at different times. As far as we can tell, no other delay plugin does this. Roll the knob right and your highs float behind, basses come back fast. Roll it left and the bass tail is the longest thing in the mix while the highs are tight and short.
What makes it different
* Frequency-tilt time per band: unique, nothing else like it.
* Asymmetric saturation that matches the measured even/odd harmonic ratio of the hardware.
* Multi-LFO drift instead of a single sine: capstan + pulley + bearing-friction noise.
* Compander-pumping built into the delay line, not faked with a separate VCA.
* Cross-feedback ping-pong per band: three rhythms running at once when tilt is active.
* Sidechain ducking with internal fallback so it works even without a side-chain bus routed.
Where it shines
* Vocals: sidechain duck keeps the echo out of the way of consonants. Tilt right for an “air” trail of consonants only.
* Drum bus: tilt left to hold the kick echo and let the hi-hat slap come back fast. Multiband keeps the low end clean.
* Synths and pads: three-band ping-pong gives a built-in stereo width that no single-band delay can produce.
* Ambient and texture: freeze a moment, layer on top, clear when the next section comes in.
Standard controls: time, feedback, mix, drift, drift rate, tone (±12 dB high-shelf at 2.5 kHz), duck amount, frequency tilt, kill-dry, freeze, clear and tap. Sync per channel with link, A/B snapshots with copy, six factory presets and unlimited user presets via .xml save/load.
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