简介:
大个子实验室Bigulator v1.0.3补丁包括。注册机-摩卡
摩卡 | VST3/AAX/CLAP | 9.0 MB
大调节器
| 一种罕见的模拟母带削波器的电路模型。Bigulator，模拟母带削波器的电路模型，显示滚动增益降低显示，传输曲线和控制面板
一个模糊的模拟母带剪辑器的精心执行的模型，它变得响亮而没有听起来像它正在工作。不寻常的电路是原因: 与您的音频串联的VCA，其控制端口由峰值略读整流器以音频速率驱动。没有信封。没有攻击。没有发布。Bigulator是该电路，该电路源自原理图并适合实际单元的测量，然后给出了盒子永远无法实现的功能: 多频带操作，过采样和多语音数字输出削波器。
模拟母带处理削波器功能
Bigulator在你的主总线上运行时所起的作用。
严苛的模拟仿真
通过电路仿真和众多测量的组合，Bigulator捕获了这种独特的母带削波器的模拟心脏和灵魂，除了最极端的设置外，几乎无法区分。
零攻击，零排放
整流器以音频速率驱动VCA控制端口，其间没有任何东西。任何时刻的增益降低都是该时刻的波形的函数。在限幅器，限制器和饱和器之间的某个地方，Bigulator是其自己的模拟电平控制风格。
从对称到完全失衡
ASYM就是旋钮上的那种不平衡。峰值撇渣器的两半具有单独的偏置修剪，因此一侧在另一侧之前开始撇渣一小部分。完全按照硬件的方式建模，然后扩展到硬件无法使用的地方。从完美对称到完全失调。
咬的位置不同，咬的方式也会不同。
阈值和比率是独立的控制参数，但它们并非相互独立。阈值所在的位置会改变传递函数本身的形状，因此在两个不同阈值处的相同比率不是同一处理器。阈值为0的100处的比率和阈值为-10的100处的比率是两条不同的曲线，就像它们在模拟单元上一样。
一、二或三条带
在整个混音中运行电路，或者拆分并运行每个频段的独立实例。乐队保持自己的身份，当你添加更多，两个交叉范围自由和可能重叠，每个乐队的增益减少绘制在自己的颜色，所以你可以看到哪一个正在做的工作。
最小相位和线性相位分频器
多频带操作期间的最小相位保持低延迟。线性相位和线性相位深度分割带，根本没有相位旋转，用于混合和掌握不希望多频带处理相位伪影的工作。Deep购买更陡峭的分离以获得更多的延迟，并且每个设置都准确地报告其延迟。
过采样至16倍
模拟削波不会产生混叠。数字裁剪确实如此，模型中的任何精度都无法修复它。当延迟很重要时运行1x，或者将非线性度提高到2x，4x，8x或16x，以将混叠产品推向硬件从未有过的地方。
相位匹配的平行混合
MIX将处理后的信号与输入微调之前敲击的干路径混合，因此更努力地驱动不会改变干电平。在多波段中，干侧具有与交叉树相同的相位旋转，因此混合在交叉中保持无梳状，而不是在拐角处挖出。
求和剪切器，四种音色
一款基于模拟模型的多音色数字削波器。紧，打孔，光滑和光滑的每个处理夹子不同。它的天花板在显示屏上绘制一条虚线规则，输出修剪在其后运行，因此水平和剪辑深度保持独立。
看到它正在发生
输入，输出和每个频段的增益减少实时滚动过去，GPU加速，因此它在高刷新显示上保持平滑，而不会吃你的CPU。
简介:
Big Man Labs Bigulator v1.0.3 Patched Incl. Keygen-MOCHA
MOCHA | VST3/AAX/CLAP | 9.0 MB
BIGULATOR
| A Circuit Model of a Rare Analog Mastering Clipper. Bigulator, a circuit model of an analog mastering clipper, showing the scrolling gain reduction display, transfer curve and control panel
A carefully executed model of an obscure analog mastering clipper that gets loud without ever sounding like it is working. The unusual circuit is the reason: a VCA in series with your audio, its control port driven at audio rate by a peak-skimming rectifier. No envelope. No attack. No release. Bigulator is that circuit, derived from the schematic and fitted to measurements of the real unit, then given what the box never could: multiband operation, oversampling and a multi-voice digital output clipper.
Analog mastering clipper features
What Bigulator does when it is sitting on your master bus.
Exacting Analog Emulation
Through a combination of circuit emulation and numerous measurements, Bigulator captures the analog heart and soul of this unique mastering clipper, nearly indistinguishable apart from the most extreme settings.
Zero Attack, Zero Release
The rectifier drives the VCA control port at audio rate with nothing in between. Gain reduction at any instant is a function of the waveform at that instant. Somewhere between a clipper, a limiter and a saturator, Bigulator is its own flavor of analog level control.
Symmetrical To Totally Out Of Whack
ASYM is that imbalance on a knob. The two halves of the peak skimmer have separate bias trims, so one side starts skimming a fraction before the other. Modeled exactly as the hardware has it, then expanded into places the hardware cannot go. Perfectly symmetrical, to totally out of whack.
Where It Bites Changes How It Bites
Threshold and ratio are separate controls, but they are not independent. Where the threshold sits changes the shape of the transfer function itself, so the same ratio at two different thresholds is not the same processor. Ratio at 100 with the threshold at 0 and ratio at 100 with the threshold at -10 are two different curves, exactly as they are on the analog unit.
One, two or three bands
Run the circuit across the whole mix, or split and run an independent instance per band. Bands keep their identity as you add more, the two crossovers range freely and may overlap, and each band’s gain reduction draws in its own colour so you can see which one is doing the work.
Minimum and linear phase crossovers
Minimum Phase during multiband operation keeps latency low. Linear Phase and Linear Phase Deep split the bands with no phase rotation at all, for mixing and mastering work where you do not want the multiband processing phase artifacts. Deep buys steeper separation for more latency, and every setting reports its delay exactly.
Oversampling to 16x
Analog clipping does not alias. Digital clipping does, and no amount of accuracy in the model fixes it. Run 1x when latency matters or take the nonlinearity up to 2x, 4x, 8x or 16x to push the aliasing products down where the hardware never had any.
Phase-matched parallel blend
MIX blends the processed signal against a dry path tapped before the input trim, so driving harder does not change the dry level. In multiband the dry side carries the same phase rotation the crossover tree applies, so the blend stays comb-free through the crossovers instead of scooping at the corners.
Sum clipper, four voicings
A multi voice digital clipper after the analog model. Tight, Punch, Smooth and Smoother each handle the clip differently. Its ceiling draws a dashed rule across the display, and the output trim runs after it, so level and clip depth stay independent.
See it happening
Input, output and every band’s gain reduction scroll past in real time, GPU accelerated so it stays smooth on a high refresh display without eating your CPU.
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