简介:
Lemur Audio SAMUEL v1.0.19，包括已修补和Keygen-R2R
团队R2R | 2026.10.11 | 52.35 MB
SAMUEL是一种控制台风格的通道条，具有前置放大器饱和，门，反馈压缩器和四频段EQ，处于零延迟。
一个四波段控制台均衡器
显示器旁边的SAMUEL的LF和LMF均衡器频带
两个架子和两个铃铛，每个总是在信号路径中: 在其中心设置一个频带完全没有添加任何内容，因此无需打开和关闭频带。LF货架从30到450Hz和HF从1.5到16 kHz; LMF涵盖200Hz到2.5 kHz和HMF 600Hz到7 kHz，每个都有自己的Q从0.5到3。两个范围按钮移动铃铛-÷ 3将LMF降低到低中音，× 3将HMF提升至约21 khz，并且每个增益运行 ± 17 db。乐队以控制台通道的方式回答增益和Q，而低音和空气则保持其深度。
高通和低通滤波器
塞缪尔的高通和低通滤波器旋钮与他们的led
高通从20到350 hz，低通从12 khz到3 khz。停在关闭时，过滤器完全从路径中掉出来; 每个旋钮下方的小LED告诉您它在里面。EQ ON开关将整个均衡器取出，包括滤波器，快速前后。
前置放大器饱和度-MIC和线路
带有ON和LINE开关的饱和驱动旋钮
在条带的头部的前置级。线保持顶端清洁，并把它的温暖在低点; 麦克风是更广泛，更明亮的声音。驱动器从 − 12到24 dB运行，并且舞台将相同的水平放回原处，因此将其调高会改变颜色，而不是音量-低于0它比unity更干净，在它上面，谐波增长。整个阶段运行过采样，因此谐波不会折回可听范围。
行为像控制台门的门
塞缪尔门部分-阈值，范围，释放和HYST
阈值从-30到10，范围从0到40 dB的衰减，释放从0.1到4 s和攻击的快速开关。HYST设置门在打开点以下的距离再次关闭，因此腐烂的汤姆或响铃的网罗不会在门槛上chat不休。Led的左列示出了门被带走多少。
简介:
Lemur Audio SAMUEL v1.0.19 Incl Patched and Keygen-R2R
Team R2R | 2026.10.11 | 52.35 MB
SAMUEL is a console-style channel strip with preamp saturation, gate, feedback compressor and four-band EQ, at zero latency.
A four-band console equalizer
SAMUEL’s LF and LMF equalizer bands beside the display
Two shelves and two bells, every one always in the signal path: at its centre setting a band adds exactly nothing, so there is no need to switch bands on and off. LF shelves from 30 to 450 Hz and HF from 1.5 to 16 kHz; LMF covers 200 Hz to 2.5 kHz and HMF 600 Hz to 7 kHz, each with its own Q from 0.5 to 3. Two range buttons move the bells — ÷3 takes LMF down into the low mids, ×3 lifts HMF up to about 21 kHz — and every gain runs ±17 dB. The bands answer gain and Q the way a console channel does, and the bass and the air keep their depth.
High- and low-pass filters
SAMUEL’s high- and low-pass filter knobs with their LEDs
The high-pass runs from 20 to 350 Hz and the low-pass from 12 kHz down to 3 kHz. Parked at OFF, a filter drops out of the path entirely; the small LED under each knob tells you it is in. The EQ ON switch takes the whole equalizer out, filters included, for a quick before and after.
Preamp saturation — MIC and LINE
The SATURATION drive knob with its ON and LINE switches
A preamp stage at the head of the strip. LINE keeps the top end clean and puts its warmth in the lows; MIC is the broader, brighter voicing. Drive runs from −12 to +24 dB, and the stage hands the same level back out, so turning it up changes the colour, not the volume — below 0 it is cleaner than unity, above it the harmonics grow. The whole stage runs oversampled, so the harmonics do not fold back into the audible range.
A gate that behaves like a console gate
SAMUEL’s gate section — threshold, range, release and HYST
THRESHOLD from −30 to +10, RANGE from 0 to 40 dB of attenuation, RELEASE from 0.1 to 4 s and a FAST switch for the attack. HYST sets how far below the opening point the gate closes again, so a decaying tom or a ringing snare does not chatter on the threshold. The left column of LEDs shows how much the gate is taking away.
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