Electronic Sound Issue 142 2026@电子音乐配套采样素材

简介:
电子声音问题142 2026
英文 | 100页 | True PDF | 12 MB
浮士德
著名的是在他们1971年的首张专辑的正面放了一张握紧拳头的x光片，我们正在庆祝乐队通过刷新这张标志性的图片作为封面来释放一连串令人兴奋的新音乐。这个月的电子声音问题。我们还随杂志附赠了一张由这支极致的Freaktronic乐队发行的透明黑胶7英寸EP。
krautrock巨人最近在同一天发行了不少于四张专辑，所有这些都归功于浮士德，但每个人都由乐队中四个幸存的原始成员之一录制，与其他三个成员分开工作。让-赫维佩隆、汉斯·约阿希姆·伊姆勒、冈瑟·伍斯特霍夫和维尔纳·“扎皮”·迪尔迈尔鞠躬。这是一个疯狂的想法，这是肯定的，但这些人无疑是最奇怪和最疯狂的早期德国实验者，正如我们在封面故事中向他们指出的那样。结合破碎的旋律，大胆的节奏，强烈的电子设备和噪音的波浪，令人震惊的效果，浮士德精神在2026年和1971年一样原始和激进。
我们对浮士德的支持包括mercurial polymath
索尔·威廉姆斯
,他的精彩专辑 “leap life” 很快就会出现在所有的最佳年终排行榜上，还有big beat big cheeses
洛忠诚全明星队
在几个月前的几场演出打破了长达十年的中断后，他将于11月在英国巡回演出。
玛丽亚·乌佐尔
，
环球
，
胖狗
，
超级毛茸茸的动物
和
尼克很好
在我们的其他采访中，而来自
拉迪特隆
分享她的影响力。我们还和
硬兵团
,这支受人崇拜的20世纪80年代乐队，曾与Depeche Mode一起演出，并与Martin Rushent一起录制，但在他们的首张专辑发行之前就分手了。对我们所有人来说，幸运的是，它刚刚被重新发行。
除了这个月的杂志，我们还有一个独家
浮士德
七英寸EP。这张唱片是限量版的透明黑胶唱片，它有四首绝妙的曲目，每首来自乐队的新专辑:
A1《昨日的礼物》出自《古加鲁兹》
浮士德鼓乐传奇人物Zappi Diermaier制作的未来派迷幻。想象一下，如果大卫·林奇拍摄了被锁在地下室一个月的天鹅绒地下，卢·里德在角落里写了 “金属机器音乐”。
A2 ‘zerfallend Teil II’ 来自 ‘Ungebunden’
王牌键盘手Hans Joachim Irmler毫不费力地唤起了经典浮士德的自由形态怪异氛围。轨道的后半部分滑入无线电车间区域，但听起来俄罗斯人正在干扰信号。
B1’sandra Tanzt’ 来自 ‘Fliegen Iernen’
这是Gunther w ü sthoff的作品，他负责Faust原始阵容中的电子产品。天鹅绒般的合成气氛被腹部隆隆的低音所束缚，由此产生的情绪几乎是Eno式的。
B2 ‘Quinten & quarten ‘来自 ‘MOI’
敏锐的吉他和混乱的钢琴不受线性音乐的通常规则以及对krautrock应该是什么的任何概念的束缚。浮士德事实上的主唱让-埃尔维·佩隆在这里掌控一切也就不足为奇了。
与我们的所有版本一样，此唱片仅适用于电子声音的读者，因此请立即获取您的副本。

简介:
Electronic Sound Issue 142 2026
English | 100 pages | True PDF | 12 MB
FAUST
famously put an X-ray of a clenched fist on the front of their 1971 debut album and we’re celebrating the group unleashing a barrage of exciting new music by refreshing this iconic image for the cover of this month’s issue of Electronic Sound. We have a clear vinyl seven-inch EP from the ultimate freaktronic outfit to accompany the magazine too.
The krautrock giants have recently released no less than four albums on the same day, all of them credited to Faust but each recorded by one of the four surviving original members of the band working separately from the other three. Take a bow Jean-Hervé Péron, Hans Joachim Irmler, Gunther Wüsthoff and Werner “Zappi” Diermaier. It’s a madcap idea, that’s for sure, but then these guys are undoubtedly the weirdest and wildest of the early German experimentalists, as we point out to them in our cover story. Combining fractured melodies, bold rhythms, intense electronics and waves of noise to startling effect, the Faustian spirit is every bit as primeval and radical in 2026 as it was in 1971.
Our supporting cast to Faust includes mercurial polymath
SAUL WILLIAMS
, whose terrific ‘Leap Life’ album will shortly be appearing in all the best end-of-year lists, and big beat big cheeses
LO FIDELITY ALLSTARS
, who will be touring the UK in November after breaking a decade-long hiatus with a couple of shows a few months back.
MARIA UZOR
,
GLOBO
,
FAT DOG
,
SUPER FURRY ANIMALS
and
NICK NICELY
are among our other interviews, while Mira Aroyo from
LADYTRON
shares her influences. We also talk to
HARD CORPS
, the cult 1980s band who gigged with Depeche Mode and recorded with Martin Rushent but split up before their debut album came out. Luckily for us all, it has just been reissued.
Alongside this month’s magazine we also have an exclusive
FAUST
seven-inch EP. The record is a limited edition pressing on clear vinyl and it features four superb tracks, one from each of the group’s new albums:
A1  ‘Yesterday’s Gift’ from ‘Gugaruz’
Futuristic psychedelia crafted by Faust drumming legend Zappi Diermaier. Imagine if David Lynch had filmed The Velvet Underground locked inside a basement for a month, with Lou Reed writing ‘Metal Machine Music’ in the corner.
A2  ‘Zerfallen Teil II’ from ‘Ungebunden’
The freeform freakout vibe of classic Faust is effortlessly evoked by ace keyboardist Hans Joachim Irmler. The second half of the track slides into Radiophonic Workshop territory, but it sounds like the Russians are jamming the signal.
B1  ‘Sandra Tanzt’ from ‘Fliegen Iernen’
This is the work of Gunther Wüsthoff, who took care of the electronics in the original line-up of Faust. The velvety synth atmospheres are tethered by belly-rumbling bass tones and the resulting mood is almost Eno-esque.
B2  ‘Quinten & Quarten’ from ‘MOI’
The keening guitar and chaotic piano are unfettered by the usual rules of linear music and certainly by any notions of what krautrock should be. It’s no surprise that Faust’s de facto frontman Jean-Hervé Péron is at the controls here.
As with all of our releases, this record is only available to readers of Electronic Sound, so grab your copy right away.