简介:
SampleRoll DRFT v1.1.3已破解版包含注册机-摩卡
摩卡 | VST3 | 4.5 MB
VHS / CRT电路迷幻效果
磁带哇，头部烧伤，跟踪洗涤，辍学和雪-在CRT上运行的任何东西上都有六个旋钮的损坏，向您显示它的所有功能。
声音背后的画面
将视频、动图或静态图片拖放到该轨道上，它就会通过与音频相同的播放回路进行播放。或上线: 您的机器可以看到的任何摄像头-网络摄像头，采集卡，或在Mac上通过连续性摄像头的iPhone-将其指向您的手，办公桌，房间，这就成了照片。
六个性格鲜明的角色
将其烧焦，使其变热，漂移使胶带徘徊，并在图片后面留下模糊的回声，弯曲的扭曲和偏斜，掉落的孔在镜头上打孔，洗净使所有东西变软，噪音把它埋在雪里。声音和画面共用同一组旋钮——转动其中一个，你就能同时听到声音的变化，并看到画面随之同步移动。
当它落下时，会到处落下。
断点直接并联在机器上：只要其中一个在音频信号上打个孔，画面就会随之撕裂。不是凭空猜测的想象者——而是一场亲眼所见、亲耳所闻的事件。
当你没有任何素材时，有23台发电机
现场页面制作自己的图片: 23个发生器-流，等离子，隧道，kaleido，极光，苛性碱，细胞，曼陀罗等-通过色调，缩放，发光，色调和流动，跟随设置他们骑你的音频有多努力。然后将它们混合: blend fader luma-将生成器与您的视频或实时相机相对应，因此您的镜头会通过该模式而不是替换它。
砸电视，别砸录像带
电路页面是六个旋钮，会损坏设备本身-并且它会在电子管上已经存在的任何东西上运行，因此它会弯曲您的镜头和相机，就像弯曲发电机一样。偏转线圈的引脚使光栅发生弯曲。色彩基准消失了，于是画面不再知道任何物体的颜色，转而将亮度误读为色相。注入将您的波形放入视频线中，bass在屏幕上绘制缓慢的曲线，hats将其梳理成波纹。一个DEPTH推子同时控制所有通道。
一块能记住你所玩内容的画布
PAINT是FIELD页面的另一半，也是一种完全不同的工具。每一帧都不会产生任何新鲜的东西-缓冲区被重新绘制成自身，转动，漂移和褪色，而轨道中的瞬变在顶部标记新的标记。你几秒前演奏的音符仍然留在那里，被涂抹并偏离了你现在正在演奏的部分。六种标记，包括将整个图片向外推入嵌套轮廓的墨水大理石花纹。
图片正在播放声音
信息流读取画面——亮度、动态与破损程度——并将其反馈回音频中。一道炽白的光闪过，倚靠在声音之上；一条已死的频道归于寂静。将一段音乐视频导入其中，混音便会随着画面的节奏而灵动起来。
按录制键，保留这次录音
REC键将管和声音捕获在一起，并编写一个真正的MP4-导出通过同一管道重新渲染每一帧，因此文件与您观看的内容匹配。框架它16:9，垂直9:16手机和卷轴，或超宽，并削减电路弯曲的音乐视频直接从插件。
本版本由Wukzy.com独家提供。
凯约
简介:
SampleRoll DRFT v1.1.3 Patched Incl. Keygen-MOCHA
MOCHA | VST3 | 4.5 MB
VHS / CRT circuit-bend FX
Tape wow, head burn, tracking wash, dropouts and snow – six knobs of damage on whatever you run through it, over a CRT that shows you every bit of what it does.
A picture behind the sound
Drop a video, a GIF or a still onto the tube and it plays through the same circuit as your audio. Or go live: any camera your machine can see – a webcam, a capture card, or on a Mac your iPhone over Continuity Camera – point it at your hands, your desk, the room, and that becomes the picture.
Six knobs of character
BURN scorches it hot, DRIFT lets the tape wander and leaves a blurred echo smearing behind the picture, BEND warps and skews, DROPOUT punches holes in the take, WASH softens everything to mush, NOISE buries it in snow. Sound and picture ride the same knobs – turn one and you hear it and see it move together.
When it drops, it drops everywhere
Dropouts are wired straight across the machine: the instant one punches a hole in the audio, the picture tears with it. Not a visualizer guessing along – one event, heard and seen.
23 generators when you have no footage
The FIELD page makes its own picture: 23 generators – flow, plasma, tunnel, kaleido, aurora, caustic, cells, mandala and more – shaped by hue, zoom, glow, tint and flow, with FOLLOW setting how hard they ride your audio. Then blend them: the BLEND fader luma-keys the generator against your video or your live camera, so your footage comes through the pattern instead of replacing it.
Break the television, not the tape
The CIRCUIT page is six knobs that damage the set itself – and it runs on whatever is already on the tube, so it bends your footage and your camera the same way it bends the generators. The deflection coil pins and bows the raster. The colour reference dies, so the picture stops knowing what colour anything is and reads brightness as hue instead. INJECT puts your waveform into the video line, where bass draws slow curves down the screen and hats comb it into ripples. One DEPTH fader rides all of it at once.
A canvas that remembers what you played
PAINT is the FIELD page’s other half, and a different instrument entirely. Nothing is generated fresh each frame – a buffer is redrawn into itself, turning and drifting and fading, while the transients in your track stamp new marks on top. What you played a few seconds ago is still up there, smeared and rotated away from what you are playing now. Six kinds of mark, including ink marbling that pushes the whole picture outward into nested contours.
The picture plays the sound
feed reads the frame – how bright, how busy, how broken – and pushes it back into the audio. A hot white flash leans on the sound; a dead channel goes quiet. Run a music video through it and the mix starts breathing with the footage.
Press REC, keep the take
The REC key captures the tube and the sound together and writes a real MP4 – the export re-renders every frame through the same pipeline, so the file matches what you watched. Frame it 16:9, vertical 9:16 for phones and reels, or ultrawide, and cut circuit-bent music videos straight out of the plugin.
This release has been exclusively provided to Wukzy.com by
keyo
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