KTK Emergence Audio Obsidian Brass@黑曜石法国号电影铜管纹理(Kontakt)

简介:
出现音频黑曜石黄铜v1.0.1 KONTAKT
KONTAKT – 3,72 GB
仿佛无穷无尽的运动
非静态采样™由创始人Michael Vignola开发的产品诞生于一个愿望,即捕捉真正的乐器给人的感觉,呼吸变化时音调的变化,压力下纹理的波动,或者共振如何随着时间而加深。而不是隔离一个单一的,完美的时刻,这种技术保留了声音的展开性质,塑造每个音符的演变,移动,并巧妙地改变,因为它维持。每一个动作都揭示出新的声音细节,这并非通过自动化实现,而是源自声音本身。没有两个记录的时刻是完全相同的。这就是非静态采样的核心。™。一种不仅播放,更会不断发展的声音。一种不仅持久,而且愈发浓郁的香调。
当与无限动力引擎融合时™,这种不断发展的行为成为更大的生成系统的一部分-赋予作曲家对时间,动作和情感的新的表达控制。
出现的不仅仅是现实的,它是不安分的,反应灵敏的,而且总是变得越来越重要。
起源故事
挖掘已知的
黑曜石黄铜诞生于力量和脆弱性之间的张力,黄铜的力量,通过静止,空间和声音衰减折射。
在传统的黄铜库倾向于虚张声势和电影影响的地方,我们选择了一条不同的道路: 通过侵蚀,出现和运动的镜头探索该乐器不断发展的色调边缘。
使用有机黄铜录音作为我们的原材料,我们雕刻了呼吸和断裂的纹理,不仅仅是通过性能,而是通过转化的引擎。随着我们的无限运动引擎™2.0和非静态采样™,每个声音不重复地展开,每次演奏时都会显示新的轮廓。
出现的既不是英雄也不是环境,而是介于两者之间的东西。一个图书馆的设计不是为了模仿你所知道的黄铜,而是为了重新发现它作为一种不断发展的情感紧张、阴影和运动的工具。
黑曜石黄铜适用于营造氛围的作曲家,以及寻求对比,密集而空心,有力而内敛的声音设计师。无论你是得分科幻,新黑色,或抽象艺术电影,这是黄铜,通过裂缝呼吸。
超越熟悉的一步。黑曜石在等待。
遇见音乐家
梅雷迪思·摩尔是一位世界级的圆号演奏家,他丰富而富有表现力的音调从标志性的舞台到屡获殊荣的配乐都引起了共鸣。凭借跨越古典,电影和当代音乐的国际职业生涯,她为黑曜石铜管带来了非凡的情感和细微差别。
从无线电城音乐厅管弦乐团和夏威夷交响乐团的霍恩校长,到伦敦交响乐团、BBC爱乐乐团和纽约市芭蕾舞团的演出,梅雷迪思的艺术性是多才多艺的,因为它是深刻的。她的声音可以在主要电影配乐 (Thor,Brave),著名唱片以及与Josh Groban等艺术家的现场巡回演出中听到,并与Mumford and Sons进行了会议工作。
Meredith是现代和历史号角的热情倡导者,将精度与心脏融为一体-捕捉呼吸,共鸣和人际关系的微妙之处。她对黑曜石黄铜的贡献提供了纹理和讲故事的潜力,从而提升了每一种构图。
重新定义创意控制
实时体验生成合成,塑造与您一起呼吸,变形和移动的纹理。
借助我们FX模块中的顶级卷积混响与可调反相器选项,您可以实现更深层次的音色塑造与精准控制。
效果:
-50种卷积混响
-延迟
-副歌
-相位器
-旋转器
-立体声成像器
-失真
-饱和度
-低保真
-磁带饱和
概述:
-环境法国号
-无限运动引擎™2.0
-非静态采样™
-动态调制雕刻
-长期演进的性能
-21个独特的演奏关节
-125预设火花灵感
-100微控制微调你的声音
-24位48kHz采样
-已安装4 gb
-Midi学习/自动化
作品与接触全或接触播放器v7.7.3或更高版本!

简介:
Emergence Audio Obsidian Brass v1.0.1 KONTAKT
KONTAKT – 3,72 GB
MOVEMENT THAT FEELS INFINITE
Non-Static Sampling™ developed by Founder Michael Vignola was born from a desire to capture what makes real instruments feel human, the way a tone shifts as breath changes, how texture wavers under pressure, or how resonance deepens with time. Instead of isolating a single, perfect moment, this technique preserves the unfolding nature of sound, shaping each note to evolve, to move, and to subtly transform as it sustains. Every gesture reveals new sonic detail, not through automation, but through the sound itself. No two moments recorded are quite the same. This is the heart of Non-Static Sampling™. Sound that doesn’t just play, it progresses. Tone that doesn’t just hold, it grows.
When fused with the Infinite Motion Engine™, this evolving behavior becomes part of a larger generative system — one that gives composers new expressive control over time, motion, and emotion.
What emerges isn’t just realistic, it’s restless, responsive, and always becoming.
ORIGIN STORY
Unearth The Known
Obsidian Brass was born from the tension between force and fragility, the power of brass, refracted through stillness, space, and sonic decay.
Where traditional brass libraries lean into bravado and cinematic impact, we chose a different path: one that explores the evolving tonal edges of this instrument through a lens of erosion, emergence, and movement.
Working with organic brass recordings as our raw material, we sculpted textures that breathe and fracture, not through performance alone, but through the engine of transformation. With our Infinite Motion Engine™ 2.0 and Non-Static Sampling™, each sound unfolds without repetition, revealing new contours each time you play.
What emerges is neither heroic nor ambient, but something in between. A library designed not to imitate brass as you know it, but to rediscover it as an evolving instrument of emotional tension, shadow, and motion.
Obsidian Brass is for composers who build with atmosphere, and for sound designers who search for contrast, dense yet hollow, powerful yet restrained. Whether you’re scoring sci-fi, neo-noir, or abstract art film, this is brass that breathes through the cracks.
Step beyond the familiar. Obsidian awaits.
Meet The MUSICIAN
Meredith Moore is a world-class French horn player whose rich, expressive tone has resonated from iconic stages to award-winning soundtracks. With an international career spanning classical, cinematic, and contemporary music, she brings an extraordinary depth of emotion and nuance to Obsidian Brass.
From principal horn with the Radio City Music Hall Orchestra and Hawaii Symphony, to performances with the London Symphony Orchestra, BBC Philharmonic, and New York City Ballet, Meredith’s artistry is as versatile as it is profound. Her sound can be heard on major film scores (Thor, Brave), acclaimed recordings, and in live tours with artists like Josh Groban and has done session work with Mumford and Sons.
A passionate advocate for both modern and historical horns, Meredith blends precision with heart—capturing the subtleties of breath, resonance, and human connection. Her contributions to Obsidian Brass deliver a palette of textures and storytelling potential that elevate every composition.
REDEFINING CREATIVE CONTROL
Experience generative synthesis in real time,shape textures that breathe, morph, and move with you.
Go deeper with our FX section’s top-shelf convolution reverbs and attenuverter options that bring next level control.
Effects:
– 50+ Convolution Reverb
– Delay
– Chorus
– Phaser
– Rotator
– Stereo Imager
– Distortion
– Saturation
– LOFi
– Tape Saturation
Overview:
– Ambient French Horn
– Infinite Motion Engine™ 2.0
– Non-Static Sampling™
– Dynamic modulation sculpting
– Long evolving performances
– 21 Uniquely played articulations
– 125+ presets to spark inspiration
– 100+ micro controls to fine-tune your sound
– 24bit 48kHz samples
– 4 GB installed
– Midi Learn/Automation
Works with Kontakt FULL or Kontakt Player v7.7.3 or later!

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