简介:
WET VST WetEQ v1.1.1 VST3 WiN MAC LiNUX [免费]
免费 | Windows Mac Linux | 10.5 MB
一个四频段英国控制台均衡器VST3插件，建模为一个电路，而不是作为一个频率响应，具有饱和，串扰和增益相关的带宽的大幅面办公桌。
功能
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四个乐队
: LF搁板、LMF铃、HMF铃和HF搁板，每个 +/-15 dB
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两个过滤器
：高通和低通滤波器均在行程末端离开电路
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输入驱动
增益控制位于均衡器之前的输入放大器之前。
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阶梯式控制
: 所有11个旋钮，每个旋钮17个棘爪-保持移位四倍
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视觉测光
输入和输出的实时峰值电平表
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VST3自动化
: DAW中的完整参数自动化支持
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可调整大小的用户界面
: 右键单击UI缩放的面板-75% 、100% 或125%
控制台字符
–
电路，而非曲线
: 每个频段都是自己的放大器，在自己的滤波器环路内饱和
–
增益相关带宽
: 钟声从阻尼回转器油箱的增压/切割罐中获取Q，所以一个温和的举动是广泛的，一个艰难的是紧的-这就是为什么面板上没有Q控制
–
拓扑保持滤波器
: TPT形式的状态变量阶段，所以一个角落着陆，而不是几个百分点的低
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每阶段饱和度
: 非线性位于积分器路径中，运算放大器在物理上位于该路径中，因此驱动带会像真实的tank一样失调和压缩
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每级串扰与噪声
: 六个阶段中的每一个都泄漏到另一个通道中，并产生自己的噪声; -40 dB bleed，-87.7 dBFS floor
–
元件公差
每声道为2.5%，因此两侧几乎不会出现两次完全相同的声道。
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未重新采样任何内容
: Flat是flat-+/-0.1 dB，从20 hz到20 khz，每个控制电路
简介:
WET VST WetEQ v1.1.1 VST3 WiN MAC LiNUX [FREE]
FREE | WiN MAC LiNUX | 10.5 MB
A four-band British console equaliser VST3 plugin, modelled as a circuit rather than as a frequency response, with the saturation, crosstalk and gain-dependent bandwidth of a large-format desk.
Features
–
Four Bands
: LF shelf, LMF bell, HMF bell and HF shelf, each +/-15 dB
–
Two Filters
: High-pass and low-pass, both leaving circuit at the ends of their travel
–
Input Drive
: GAIN pushes the input amplifier ahead of the equaliser
–
Stepped Controls
: All eleven knobs, seventeen detents each – hold Shift for four times finer
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Visual Metering
: Real-time peak level meters for input and output
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VST3 Automation
: Full parameter automation support in DAWs
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Resizable UI
: Right-click the panel for UI Zoom – 75%, 100% or 125%
Console Character
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Circuit, Not Curve
: Every band is its own amplifier, saturating inside its own filter loop
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Gain-Dependent Bandwidth
: The bells take their Q from the boost/cut pot damping a gyrator tank, so a gentle move is broad and a hard one is tight – which is why there is no Q control on the panel
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Topology-Preserving Filters
: State-variable stages in TPT form, so a corner lands where it is asked to rather than a few percent low
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Per-Stage Saturation
: The nonlinearity sits in the integrator path, where the op-amp physically is, so a driven band detunes and compresses the way a real tank does
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Per-Stage Crosstalk and Noise
: Each of the six stages leaks into the other channel and contributes its own noise; -40 dB bleed, -87.7 dBFS floor
–
Component Tolerance
: 2.5% per channel, so the two sides are never quite the same channel twice
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Nothing Resampled
: Flat is flat – +/-0.1 dB from 20 Hz to 20 kHz with every control out of circuit
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