简介:
朋克50首朋克摇滚，后朋克，新浪潮以及永远改变流行音乐的五年
英文 | 2026 | ISBN: 0063396750 | 288页 | True EPUB | 5 MB
这是一本令人无法抗拒的书，甫一出版便能引发千场争论。我已经在列清单了。多年来，我对批评的工作没有那么多乐趣。”- Greil Marcus，《十首歌曲中的摇滚历史》的作者
五十年前，朋克横空出世，重新定义了音乐与流行文化。为了庆祝这一历史性事件，这个文化历史探索了五十首标志性的另类歌曲和难忘的时刻，这些时刻摧毁并重新定义了摇滚乐。
曾几何时-1976年11月26日，确切地说-一支名为 “性手枪” 的乐队以 “英国的无政府状态” 进入了文化意识。这是朋克摇滚的公开发布，喧闹的音乐带有咆哮的态度，激进的风格，一种骚动的政治情感出现了，看到了，征服了。
五十年后，这个问题依然萦绕心头：那到底是什么鬼？
《五十件物品中的朋克》重述了朋克这场文化地震的历程。Kevin Dettmar追溯了这场摇滚革命的演变，揭示了经典的早期朋克 (雷蒙斯，帕蒂·史密斯，伊基·波普) 如何诞生了后朋克 (欢乐师，苏克斯和女妖，四人帮) 和新浪潮 (会说话的人，金发女郎，德沃)。
站在《请杀了我》、《口红痕迹》、《撕开它再重新开始》、《英格兰的梦想》等经典作品旁边，《朋克》中的50件作品描绘了一个时代、一个声音，以及让它难以忘怀的艺术家和态度的生动写照。这是新一代无缘无故叛军的完美介绍，也是顽固分子的主要播放列表，他们可能不再在沼泽坑中大满贯跳舞，但从未忘记音乐。
50件朋克作品包括章节
性手枪，“英国的无政府状态”
• 埃尔维斯·科斯特洛，“艾莉森”
•X射线特警乐队，《哦，奴役，去你的！》
• 会说话的头，“心理杀手”
•警察乐队，《罗克珊》
•冲突乐队，《（白人）在汉默史密斯宫》
•公共形象有限公司，“公共形象”
治愈，“男孩不哭”
• B-52s，“摇滚龙虾”
•辣妹合唱团，《我们掌握了节奏》
·伪装者，“珍贵”
• 迷幻的皮草，“漂亮的粉红色”
简介:
Punk in 50 Pieces Punk Rock, Post-Punk, New Wave, and the Five Years That Changed Pop Music Forever
English | 2026 | ISBN: 0063396750 | 288 pages | True EPUB | 5 MB
“This is an irresistible book that will spark a thousand arguments—and that’s just on the day it’s published. I’m already making my list. I haven’t had so much fun with a work of criticism in years.”— Greil Marcus, author of The History of Rock ‘n’ Roll in Ten Songs
Fifty years ago punk crashed on the scene, redefining music and popular culture. In celebration of that historic event comes this cultural history exploring fifty iconic alternative songs and unforgettable moments that destroyed and redefined rock ‘n’ roll.
Once upon a time—November 26, 1976, to be precise—a band named the Sex Pistols kicked their way into cultural consciousness with “Anarchy in the U.K.” It was the public launch of punk rock, raucous music with a snarling in-your-face attitude, aggressive style, and a riotous political sensibility that came, saw, and conquered.
Fifty years later, the question remains: What the hell was that?
Punk in 50 Pieces retells the story of punk’s cultural earthquake. Kevin Dettmar traces the evolution of this rock ‘n’ roll revolution, revealing how classic early punk (The Ramones, Patti Smith, Iggy Pop) gave birth to both post-punk (Joy Division, Siouxsie and the Banshees, Gang of Four) and New Wave (Talking Heads, Blondie, Devo).
Standing beside classic works such as Please Kill Me, Lipstick Traces, Rip It Up and Start Again, and England’s Dreaming, Punk in 50 Pieces paints a vivid portrait of an era, a sound, and the artists and attitude that made it unforgettable. It’s the perfect introduction for a new generation of rebels without a cause and a master playlist for die-hards who may no longer be slam-dancing in the mosh pit but have never forgotten the music.
Punk in 50 Pieces includes chapters featuring
•The Sex Pistols, “Anarchy in the U.K.”
•Elvis Costello, “Alison”
•X-Ray Spex, “Oh Bondage Up Yours!”
•Talking Heads, “Psycho Killer”
•The Police, “Roxanne”
•The Clash, “(White Man) In Hammersmith Palais”
•Public Image Ltd, “Public Image”
•The Cure, “Boys Don’t Cry”
•The B–52s, “Rock Lobster”
•The Go-Go’s, “We Got the Beat”
•The Pretenders, “Precious”
•The Psychedelic Furs, “Pretty in Pink”
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