效果 quietformat SURVIVE@立体声削波与响度控制（Win+Mac）

简介:
quietformat surved v1.0.0 VST3 AU WiN MAC [免费]
免费 | WiN MAC | 32.7 MB
带XY Pad独立L/R和中/侧控制的立体声推剪。
“生存” 背后的想法是让削波变得更加可控 — 不仅是在你推动信号的努力程度方面，而且在削波增加时，信号源的特性如何响应。
您使用设置基本裁剪
输入
，
天花板
，和
膝盖
,然后使用
XY垫板
要在四个特性之间切换处理优先级，请执行以下操作:
字幕
-低端重量
身体
-持续的中端密度
拳击
-瞬态冲击
空气
-高频开放性
生存也可以过程
左/右或中/侧独立
。当您希望两个组件一起移动或取消链接以使用单独的输入、天花板、膝盖、混合和输出设置时，请保持链接。
实时波形显示在同一时间线上对齐输入和处理后的波形，并突出显示受削波影响的区域，这样您就可以在收听时看到信号实际发生了什么。
有关更详细的整形，还有其他控件
纹理，色调，阴影，阴影时间，宽度和清洁子
。
主要特点
-独立
左/右和中/侧
处理
–
XY垫板
用于塑造SUB、BODY、PUNCH和AIR优先级
-实时前/后波形比较
-受裁剪影响的区域的视觉指示
-输入，天花板，膝盖，混合和输出控制
-纹理，色调，阴影，阴影时间，宽度和干净的子
–
2x / 4x/8x滤波过采样
–
ADAA非线性限幅
–
真峰值检测和上限控制
–
总部渲染
脱机导出模式
-三个比较插槽
撤消/重做
–
65-实时处理延迟示例

简介:
quietformat SURVIVE v1.0.0 VST3 AU WiN MAC [FREE]
FREE | WiN MAC | 32.7 MB
Stereo Clipper with XY Pad + Independent L/R & Mid/Side Control.
The idea behind SURVIVE was to make clipping a little more controllable — not only in terms of how hard you push the signal, but also in how the character of the source responds as clipping increases.
You set the basic clipping with
Input
,
Ceiling
, and
Knee
, then use the
XY Pad
to shift the processing priority among four characteristics:
SUB
– low-end weight
BODY
– sustained midrange density
PUNCH
– transient impact
AIR
– high-frequency openness
SURVIVE can also process
Left / Right or Mid / Side independently
. Keep Link on when you want both components to move together, or unlink them to use separate Input, Ceiling, Knee, Mix, and Output settings.
The real-time waveform display aligns the input and processed waveforms on the same timeline and highlights the regions affected by clipping, so you can see what is actually happening to the signal while you listen.
For more detailed shaping, there are additional controls for
Texture, Tone, Shadow, Shadow Time, Width, and Clean Sub
.
Main features​
– Independent
L/R and Mid/Side
processing
–
XY Pad
for shaping SUB, BODY, PUNCH, and AIR priorities
– Real-time before / after waveform comparison
– Visual indication of the regions affected by clipping
– Input, Ceiling, Knee, Mix, and Output controls
– Texture, Tone, Shadow, Shadow Time, Width, and Clean Sub
–
2x / 4x / 8x filtered oversampling
–
ADAA nonlinear clipping
–
True Peak detection and ceiling control
–
HQ Render
mode for offline export
– Three comparison slots with
Undo / Redo
–
65-sample real-time processing latency